Venus Vignet voor boek ‘L’art Hollandais contemporain’ van Paul Fierens; liggend naakt met daarbij afgebeeld twee paarden en twee duiven Sweatshirt

From $33.30

Venus Vignet voor boek ‘L’art Hollandais contemporain’ van Paul Fierens; liggend naakt met daarbij afgebeeld twee paarden en twee duiven by Leo Gestel printed on a Sweatshirt

Description

Venus Vignet voor boek ‘L’art Hollandais contemporain’ van Paul Fierens; liggend naakt met daarbij afgebeeld twee paarden en twee duiven by Leo Gestel printed on a Sweatshirt

About the Sweatshirt

Regular fit

Standard length, the fabric easily gives into movement

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

This Unisex Premium Sweatshirt has a classic crew neck, flattering unisex fit, and soft 100% cotton exterior.

  • 100% cotton face
  • 65% cotton, 35% polyester
  • Charcoal Heather is 55% cotton, 45% polyester
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Tightly knit 3-end fleece 
  • Side-seamed construction
  • Self-fabric patch on the back
  • Double-needle stitched rib collar, cuffs, and hem
  • Tear-away label

Leo Gestel (1881- 1941)

Leo Gestel was a Dutch painter. His father Willem Gestel was also an artist. Leo Gestel experimented with cubism, expressionism, futurism and postimpressionism. Along with Piet Mondrian he was among the leading artists of Dutch modernism.

Leo Gestel ‘Herfstdag te Nijmegen . Autumn day at Nijmegen, 1909
Gestel was first instructed in art by his father, Willem Gestel, the director of an art school, and his uncle, Dimmen Gestel, who had painted with Vincent van Gogh. Due to financial problems Gestel created advertisements (e.g. for Philips) for illustrated books.

While in Paris he came in contact with the avant-garde movement. In 1913 Herwarth Walden offered him the chance to exhibit work in the “Erster Deutscher Herbstsalon” in Berlin. Generally Gestel spent the summer in Bergen, where he joined the Bergen School. In 1929 the majority of his works were lost when a fire destroyed his studio; he then moved to Blaricum.

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