Description
Travelers in Hilly Countryside by Aelbert Cuyp printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Aelbert Cuyp (1620-1691)
Aelbert Jacobsz. Cuyp was one of the leading Dutch Golden Age painters, producing mainly landscapes. The most famous of a family of painters, the pupil of his father Jacob Gerritsz. Cuyp (1594–1651/52), he is especially known for his large views of Dutch riverside scenes in a golden early morning or late afternoon light.
Cuyp was born in Dordrecht on 20 October 1620, and died there on 15 November 1691. Known as the Dutch equivalent of Claude Lorrain, he inherited a considerable fortune. His family were all artists, with his uncle Benjamin and grandfather Gerrit being stained glass cartoon designers. Jacob Gerritsz Cuyp, his father, was a portraitist. Cuyp’s father was his first teacher and they collaborated on many paintings throughout his lifetime.
Little is known about Aelbert Cuyp’s life. Even Arnold Houbraken, a noted historian of Dutch Golden Age paintings and the sole authority on Cuyp for the hundred years following his death, paints a very thin biographical picture. His period of activity as a painter is traditionally limited to the two decades between 1639 and 1660, fitting within the generally accepted limits of the Dutch Golden Age’s most significant period, 1640–1665. He is known to have been married to Cornelia Bosman in 1658, a date coinciding so directly with the end of his productivity as a painter that it has been accepted that his marriage played a role in the end of his artistic career. The year after his marriage Cuyp became the deacon of the reformed church. Houbraken recalled that Cuyp was a devout Calvinist and the fact that when he died, there were no paintings of other artists found in his home.
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