Travelers in Hilly Countryside Hoodie

From $37.67

Travelers in Hilly Countryside by Aelbert Cuyp printed on a Hoodie

Description

Travelers in Hilly Countryside by Aelbert Cuyp printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Aelbert Cuyp (1620-1691)

Aelbert Jacobsz. Cuyp was one of the leading Dutch Golden Age painters, producing mainly landscapes. The most famous of a family of painters, the pupil of his father Jacob Gerritsz. Cuyp (1594–1651/52), he is especially known for his large views of Dutch riverside scenes in a golden early morning or late afternoon light.

Cuyp was born in Dordrecht on 20 October 1620, and died there on 15 November 1691. Known as the Dutch equivalent of Claude Lorrain, he inherited a considerable fortune. His family were all artists, with his uncle Benjamin and grandfather Gerrit being stained glass cartoon designers. Jacob Gerritsz Cuyp, his father, was a portraitist. Cuyp’s father was his first teacher and they collaborated on many paintings throughout his lifetime.

Little is known about Aelbert Cuyp’s life. Even Arnold Houbraken, a noted historian of Dutch Golden Age paintings and the sole authority on Cuyp for the hundred years following his death, paints a very thin biographical picture. His period of activity as a painter is traditionally limited to the two decades between 1639 and 1660, fitting within the generally accepted limits of the Dutch Golden Age’s most significant period, 1640–1665. He is known to have been married to Cornelia Bosman in 1658, a date coinciding so directly with the end of his productivity as a painter that it has been accepted that his marriage played a role in the end of his artistic career. The year after his marriage Cuyp became the deacon of the reformed church. Houbraken recalled that Cuyp was a devout Calvinist and the fact that when he died, there were no paintings of other artists found in his home.

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