The Use of Electricity during the Attack on Pyeongyang T-Shirt

From $17.02

The Use of Electricity during the Attack on Pyeongyang by Kobayashi Kiyochika printed on a T-Shirt

Description

The Use of Electricity during the Attack on Pyeongyang by Kobayashi Kiyochika printed on a T-Shirt

Kobayashi Kiyochika designed numerous propagandistic prints during the Sino-Japanese War of 1894–95 and, a decade later, the Russo-Japanese War. This work celebrates achievements in military technology. Japanese soldiers use electric search lights to illuminate their firing target—Chinese troops in Pyongyang, in northern Korea, which is shown ablaze in the background.

About the T-Shirt

Regular fit

Standard length, the fabric easily gives into movement

Casual wear

A classic, everyday option loved by our customers

Side-seamed

Constructed by sewing two parts together, creating a fitted look

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

  • Solid colors are 100% Airlume combed and ring-spun cotton
  • Ash color is 99% combed and ring-spun cotton, 1% polyester
  • Heather colors are 52% combed and ring-spun cotton, 48% polyester
  • Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
  • Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
  • Fabric weight: 4.2 oz./yd.² (142 g/m²)
  • Pre-shrunk fabric
  • 30 singles
  • Side-seamed construction
  • Tear-away label
  • Shoulder-to-shoulder taping
  • Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Kobayashi Kiyochika (1847-1915)

Kobayashi Kiyochika was a Japanese ukiyo-e artist, best known for his ukiyo-e colour woodblock prints and newspaper illustrations. His work documents the rapid modernization and Westernization Japanese underwent during the Meiji period (1868–1912) and employs a sense of light and shade called kōsen-ga [ja] inspired by Western art techniques.

His work first found an audience in the 1870s with prints of red-brick buildings and trains that had proliferated after the Meiji Restoration; his prints of the First Sino-Japanese War of 1894–95 were also popular. Woodblock printing fell out of favour during this period, and many collectors consider Kobayashi’s work the last significant example of ukiyo-e.

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