The Toilet—Three Women with Make-up Kit Hoodie

From $37.67

The Toilet—Three Women with Make-up Kit by Sukenobu Ishigawa printed on a Hoodie

Description

The Toilet—Three Women with Make-up Kit by Sukenobu Ishigawa printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Sukenobu Ishigawa (active 1750-1775)

Nishikawa Sukenobu, often called simply “Sukenobu”, was a Japanese printmaker from Kyoto. He was unusual for an ukiyo-e artist, as he was based in the imperial capital of Kyoto. He did prints of actors, but gained note for his works concerning women. His Hyakunin joro shinasadame (Appreciating 100 women), in two volumes published in 1723, depicted women of all classes, from the empress to prostitutes, and received favorable results.

Nishikawa Sukenobu was born in Kyoto in 1671 and studied painting there under Kanō Einō of the Kanō school of painting; he may also have studied under Tosa Mitsusuke of the Tosa school. Sukenobu’s earliest known works are book illustrations that date to 1699; the earliest signed in his name is the seven-volume Shin Kanninki (“New patience story”). While most ukiyo-e artists were based in Edo (modern Tokyo), Sukenobu spent his career in Kyoto.

Sukenobu specialized in depictions of female beauties from different classes in their daily lives. He also produced books of kimono patterns, Musha-e portraits of warriors, illustrations of classical literature, and paintings.

Sukenobu died in Kyoto on 20 August 1750. He was also known under the names Uemon, Jitokusō, Jitokusai, Bunkado, Ukyō, Saiō. The influence of his style of depicting women is seen in the works of such artists as Suzuki Harunobu and Kitao Shigemasa.

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