Description
The Print Collector by Auguste Brouet printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Auguste Brouet (1872–1941)
Auguste Brouet was a French etcher and book illustrator.
Auguste Brouet was born and raised in a poor family in the popular north-east quarters of Paris and in Les Lilas, in the near suburbs. While apprenticed to a lithographer, he struggled for artistic education through the evening drawing classes of Eugène Quignolot (Dijon, 1847- Jouarre, 1921), also briefly attending Gustave Moreau’s atelier. Starting from around 1895 he would make a living by doing hack work for fashionable artists and also crafting reproductive etchings in color, in the workshop of Eugène Delâtre. Around 1902 he started to devise original etchings, sometimes larger pieces in color, more often smaller works in black and white, as was the growing trend at the time.
In the 1920s, his etchings came under strong demand both in France and in the United States, in the wake of the Print Revival. At that time, he also produced a significant body of book-illustrations, most notably for Devambez, under the direction of Edouard Chimot. This period of prosperity ends with the Great Depression, from which the print market never quite recovered. Brouet died in 1941 in poverty.
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