The Harvests T-Shirt

From $17.02

The Harvests by François-Nicolas Chifflart printed on a T-Shirt

Description

The Harvests by François-Nicolas Chifflart printed on a T-Shirt

About the T-Shirt

Regular fit

Standard length, the fabric easily gives into movement

Casual wear

A classic, everyday option loved by our customers

Side-seamed

Constructed by sewing two parts together, creating a fitted look

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

  • Solid colors are 100% Airlume combed and ring-spun cotton
  • Ash color is 99% combed and ring-spun cotton, 1% polyester
  • Heather colors are 52% combed and ring-spun cotton, 48% polyester
  • Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
  • Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
  • Fabric weight: 4.2 oz./yd.² (142 g/m²)
  • Pre-shrunk fabric
  • 30 singles
  • Side-seamed construction
  • Tear-away label
  • Shoulder-to-shoulder taping
  • Blank product sourced from Nicaragua, Mexico, Honduras, or the US

François-Nicolas Chifflart (1825 – 1901)

François-Nicolas Chifflart was a French painter, designer and engraver.

He was born in Saint-Omer. His father was a locksmith who was also known for his skill as a carver and worked for Louis Fiolet, a notable manufacturer of earthenware tobacco pipes. He introduced his son to the art of metal engraving.

François began studying at the municipal school of design at an early age. In 1844, he entered the École des Beaux-arts and became a student of Léon Cogniet. He took third place in the competition for the Prix de Rome in 1850 for his painting “Zénobie sur les bords de l’Araxe” (Zenobia on the Banks of the Aras) then, the following year, was awarded first place for “Périclès au lit de mort de son fils” (Pericles at the Deathbed of his son).

Shortly after, he rebelled against the Academicism of the time, focusing more on designing and engraving. His illustrations for Faust were especially notable and were praised by Baudelaire. Later, he made the acquaintance of Victor Hugo and began a new career as an illustrator in 1867. He helped design illustrations for Hugo’s Toilers of the Sea (engraved by Fortuné Méaulle) and a new edition of The Hunchback of Notre Dame.

He lost most of his clientele when he began to harshly criticize Napoleon III during the Franco-Prussian War, and sank into an oblivion from which he never fully recovered. Despite this, a street in Saint-Omer has been named after him. He died in 1901 in Paris.

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