Description
Study for Mural at Hotel Manhattan, ‘Peace and Plenty’ by Kenyon Cox printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Kenyon Cox (1856-1919)
Kenyon Cox was an American painter, illustrator, muralist, writer, and teacher. Cox was an influential and important early instructor at the Art Students League of New York. He was the designer of the League’s logo, whose motto is Nulla Dies Sine Linea or No Day Without a Line.
He was born in Warren, Ohio, the son of Jacob Dolson Cox and Helen Finney Cox. As a young adult, Cox studied art at Cincinnati’s Art Academy of Cincinnati (formerly known as the McMicken School of Art), but soon became aware of the lack of opportunity and artistic presence in Cincinnati. After visiting the Centennial Exposition in Philadelphia, Kenyon decided that Philadelphia and the art academy there had much more to offer him than Cincinnati did. Kenyon enrolled in the Pennsylvania Academy of Fine Arts hoping to receive better instruction and eventually secure for himself a way to study in Europe.
Cox’s art was very different from the cubist, neo-impressionist, fauvist, expressionist and modernist styles that emerged during his lifetime. He advocated careful drawing and modulated color, and he frequently used allegory and symbolism to present his ideas. Kenyon Cox painted in the realistic manner and earned a reputation for landscapes, portraits and genre studies. His idealized nudes and traditional treatment of classical themes had little in common with the popular avant-garde art of the day.
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