Description
Stillleben mit Früchten und Blumen by Rosalia Amon printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Rosalia Amon (1825-1855)
Rosalia Amon was an Austrian painter of the Viennese Biedermeier period.
Rosalia Amon was probably a daughter of the Austrian painter Carl Amon. She received private lessons in Vienna from Ferdinand Georg Waldmüller, who tried out a new teaching method he had developed for the first time and later stated that the results had exceeded his expectations. When Amon specialized in flower painting, he gradually gave up this genre, allegedly out of consideration for her.
Rosalia Amon lived in Vienna. From 1841 to 1847, she exhibited still lifes and portraits at the annual exhibitions of the Academy of Fine Arts in Vienna. She first showed a study head in 1841, but was more successful in the following years with flower and fruit pieces. She also created landscapes with staffage and genre paintings. Her oil paintings sometimes found prominent buyers such as the imperial family and other aristocrats. However, she also painted small, simple bouquets of flowers to decorate the homes of the Viennese bourgeoisie. At an exhibition in 1844, she was judged a worthy successor to the painter Pauline von Koudelka, who died in 1840.
Rosalia Amon died in 1855 at the age of 30 in the Imperial and Royal Lunatic Asylum in Vienna. While she was recognized as an artist in her own right during her lifetime, in the 20th century she was often only perceived as a pupil of Waldmüller and her life and work were barely researched.
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