Stilleven met kan van steengoed Sweatshirt

From $33.30

Stilleven met kan van steengoed by Maria Vos printed on a Sweatshirt

Description

Stilleven met kan van steengoed by Maria Vos printed on a Sweatshirt

About the Sweatshirt

Regular fit

Standard length, the fabric easily gives into movement

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

This Unisex Premium Sweatshirt has a classic crew neck, flattering unisex fit, and soft 100% cotton exterior.

  • 100% cotton face
  • 65% cotton, 35% polyester
  • Charcoal Heather is 55% cotton, 45% polyester
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Tightly knit 3-end fleece 
  • Side-seamed construction
  • Self-fabric patch on the back
  • Double-needle stitched rib collar, cuffs, and hem
  • Tear-away label

Maria Vos (1824-1906)

Maria Vos was a Dutch still-life painter.

She was born to the family of a stockbroker. She originally studied what would now be called “home economics” at a French boarding school in Weesp. But, as was common for upper-class young ladies at the time, she also received drawing lessons, from Christiaan Andriessen. Later, she studied painting with Petrus Kiers. In 1844, she had a showing at the Exhibition of Living Masters and, in 1847, became an honorary member of the “Royal Academy of Fine Arts” in Amsterdam.

She worked there until 1853, when she moved to Oosterbeek and joined a group of painters known as the Hollandse Barbizon. In 1863, her friend, Adriana Johanna Haanen, the sister-in-law of her teacher, Kiers, joined her there. Seven years later, they built a home known as the “Villa Grada”, where they gave drawing and painting lessons. Haanen died in 1895, but Vos remained and became one of the last artists in residence there. On her eightieth birthday, she received a personal tribute from seventy members of Arti et Amicitiae.

Although Vos is primarily known for still lifes, she also did portraits, landscapes and cityscapes, including a series of watercolors depicting Oosterbeek. She mostly exhibited in the Netherlands and Belgium, but also had a showing at the Centennial Exposition in Philadelphia. Much of her work has been lost (or misplaced), but due to the sheer quantity of her output, much remains. Major retrospectives of her work were held in 1973 and 2002.

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