Still Life; Herrings Sweatshirt

From $33.30

Still Life; Herrings by Albert Anker printed on a Sweatshirt

Description

Still Life; Herrings by Albert Anker printed on a Sweatshirt

About the Sweatshirt

Regular fit

Standard length, the fabric easily gives into movement

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

This Unisex Premium Sweatshirt has a classic crew neck, flattering unisex fit, and soft 100% cotton exterior.

  • 100% cotton face
  • 65% cotton, 35% polyester
  • Charcoal Heather is 55% cotton, 45% polyester
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Tightly knit 3-end fleece 
  • Side-seamed construction
  • Self-fabric patch on the back
  • Double-needle stitched rib collar, cuffs, and hem
  • Tear-away label

Albert Anker (1831 – 1910)

Albrecht Samuel Anker was a Swiss painter and illustrator who has been called the “national painter” of Switzerland because of his enduringly popular depictions of 19th-century Swiss village life.

Born in Ins as the son of veterinarian Samuel Anker, Anker attended school in Neuchâtel, where he and Auguste Bachelin, later a fellow artist, took early drawing lessons with Louis Wallinger in 1845–48. In 1849–51, he attended the Gymnasium Kirchenfeld [de] in Bern, graduating with the Matura. Afterwards, he studied theology, beginning in 1851 in Bern and continuing at the university of Halle, Germany.

Anker moved to Paris, where he studied with Charles Gleyre and attended the École nationale supérieure des Beaux-Arts in 1855–60.

In 1866, he was awarded a gold medal at the Paris Salon for Schlafendes Mädchen im Walde (1865) und Schreibunterricht (1865); in 1878 he was made a knight of the Légion d’honneur. In 1870–74 he was a member of the Grand Council of Bern, where he advocated the construction of the Kunstmuseum Bern.

Apart from his regular wintertime stays in Paris, Anker frequently travelled to Italy and other European countries. In 1889–93 and 1895–98 he was a member of the Swiss Federal Art Commission and in 1900 he received an honorary doctorate from the University of Bern.

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