Description

Saint John the Baptist in the Wilderness by Denys Calvaert printed on a T-Shirt

About the T-Shirt

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

• Solid colors are 100% Airlume combed and ring-spun cotton
• Ash color is 99% combed and ring-spun cotton, 1% polyester
• Heather colors are 52% combed and ring-spun cotton, 48% polyester
• Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
• Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
• Fabric weight: 4.2 oz./yd.² (142 g/m²)
• Pre-shrunk fabric
• 30 singles
• Side-seamed construction
• Tear-away label
• Shoulder-to-shoulder taping
• Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Denys Calvaert (1540 – 1619)

Denis (or Denys or Denijs) Calvaert was an Antwerp-born Flemish painter, who lived in Italy for most of his life, where he was known as Dionisio Fiammingo (Italian: [di.oˈniːzjo fjamˈmiŋɡo]) or simply Il Fiammingo (“the Fleming”). Calvaert was a profound student of architecture, anatomy, and history, his works are characterized by their advanced composition and colouring.

After studying landscape-painting for some time in his native city (the Antwerp “Record of Artists” or “Liggeren” (1556–57), gives his name as Caluwaert), he first studied under Christiaen van Queecborn.

He then went to Bologna, where worked under Prospero Fontana. His paintings acquired the mannerism of Flemish art and appeared to be the work of an Italian. From Bologna he went to Rome in 1572, where he assisted Lorenzo Sabbatini in his works for the papal palace of the Vatican, and devoted much of his time to copying and studying the works of Raphael.

He returned to Bologna and founded a studio. He had a number of prominent young apprentices, including Guido Reni, Giovanni Battista Bertusio, Francesco Albani and Domenichino, who soon followed Annibale Carracci’s example and took prominent commissions in Rome. Vicenzio Gotti, Francesco Gessi, and Giacomo Semenza also worked in his studio, before joining the studio of Guido Reni. Vincenzo Spisanelli and Gabriello Ferrantini worked under Calvaert as well.

Calvaert was respected by his fellow citizens in Bologna and by his colleagues, as shown by the presence of Ludovico Carracci, then leader of a competing studio, accompanied by all of his students, at Calvaert’s funeral in the Basilica di Santa Maria dei Servi.

Calvaert typically used chiaroscuro techniques to set stylized foreground figures derived from Correggio against northern European landscapes. His use of colour also reflects the influence of Barocci. While continuing to pursue a mannerist aesthetic throughout his career, Calvaert became a significant contributor the brand of classicism that came to characterize the Bolognese school of painting from the start of the 17th century.

His principal works are to be seen at Bologna, Florence, St. Petersburg, Parma, and Caen, and many of his pictures have been engraved. Many of his works are in the National Art Gallery of Bologna, while “St Michael”, one of his most renowned works, is in the Basilica of San Petronio.