Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. by Raphaël Jacquemin Sweatshirt

Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. by Raphaël Jacquemin

Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. Sweatshirt

Name: Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. Sweatshirt
SKU: PRADPVAASWT
Availability: InStock

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Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. by Raphaël Jacquemin printed on a Sweatshirt

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SKU: PRADPVAASWT Categories: Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. by Raphaël Jacquemin, Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. by Raphaël Jacquemin

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Description

Philippe Rovenius, arch[evèque] de Philipopoli, vicaire apostolique aux provinces-unies de Hollande. 1648-55. by Raphaël Jacquemin printed on a Sweatshirt

About the Sweatshirt

Regular fit

Standard length, the fabric easily gives into movement

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

This Unisex Premium Sweatshirt has a classic crew neck, flattering unisex fit, and soft 100% cotton exterior.

100% cotton face
65% cotton, 35% polyester
Charcoal Heather is 55% cotton, 45% polyester
Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
Tightly knit 3-end fleece
Side-seamed construction
Self-fabric patch on the back
Double-needle stitched rib collar, cuffs, and hem
Tear-away label

Raphaël Jacquemin (1821-1881)

Raphaël Jacquemin was a French painter and engraver. He was the grandson of Rabbi Abraham Cologna Mantoa, the Grand Rabbi of Paris and of Trieste under Napoleon 1st. Jacquemin studied drawing and painting in Paris and frequented the Milan and Florence Academies. Back in Paris he made himself known with his “General Iconography of Costumes Between the Fourth and Nineteenth Century” published in 1867. He painted several Old Testament scenes during his career.

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