Description

Mortals & immortals Pl.58 by Carlo de Fornaro printed on a Hoodie

About the Hoodie

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

• 65% ring-spun cotton, 35% polyester 
• Charcoal Heather is 60% ring-spun cotton, 40% polyester
• Carbon Grey is 55% ring-spun cotton, 45% polyester
• 100% cotton face
• Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
• Front pouch pocket
• Self-fabric patch on the back
• Matching flat drawstrings
• 3-panel hood
• Tear-away tag

Carlo de Fornaro (1872–1949)

Carlo de Fornaro (sometimes spelled Carlo di Fornaro) was an artist, caricaturist, writer, humorist, and revolutionary.

His work is in the collection of the US National Gallery of Art and Harvard’s Fogg Art Museum. His caricatures have been compared to those of Sem, Leonetto Cappiello, and Carlo Pellegrini.

His 1902 book Millionaires of America contains color caricatures of the captains of American industry.

Fornaro was born in Calcutta to “Swiss-Italian” parents. He was raised in Italy and Switzerland, then studied architecture in Zurich and painting at the Royal Academy of Munich. He came to the US as a young man and began his career as a newspaper caricaturist, first in Chicago for the Times-Herald, then in New York for the Herald, Morning Telegraph, World, and Evening Sun.

In 1906, he traveled to Mexico with his friend Benjamin De Casseres. They became involved in radical politics, and joined the opposition to Mexico’s president Porfirio Díaz. They joined the staff of the newly-formed newspaper El Diario, which opposed Díaz, with de Fornaro becoming the artistic director of its Sunday edition, El Diario Illustrado. He returned to New York in 1909, and published his Diaz, Czar of Mexico: an arraignment, which led to a trial for criminal libel against a nonresident by the editor of the Mexican newspaper El Imparcial. He was convicted and sentenced to one year in the Blackwell’s Island Prison (now Roosevelt Island), where he served 8 months, and upon his release, was fêted by the Vagabonds lunch group of the National Arts Club. He was also invited to a dinner at Joel’s Bohemia on October 4, 1910, and in that year drew caricatures for that restaurant’s celebrity wall.

He documented his incarceration in the book A modern purgatory and advocated for prison reform. He was a member of the National Arts Club.

He died in 1949 after a year of poor health.