Description
Méduse et trainée verte by Jules Schmalzigaug printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Jules Schmalzigaug (1882-1917)
Jules Schmalzigaug was a Belgian futurist painter.
His well-to-do family came from Germany and lived in Antwerp. From the age of 16, Schmalzigaug travelled extensively. In 1905–1906 he made a tour of Italy, where he was especially impressed and influenced by Venice.
Returning to Antwerp, he became a secretary to the art society of Kunst van Heden/L’Art Contemporain, and worked on the organisation of international exhibitions. Between 1910 and 1912 he lived mainly in Paris. There he had the opportunity to see the exhibition of Italian futurists in 1912, and, impressed, soon decided to move to Italy.
His time in Italy between 1912 and 1914 was the happiest and most active part of his life and art. In 1914 he took part in the international exhibition of futurists in Rome. His style developed towards the abstract.
In 1914, he returned to Antwerp. He was declared unfit for military service on health grounds; after the start of World War I, he moved to The Hague in neutral Netherlands.
He felt lonely in the isolated country; he longed for the sunny Venice and the whirring international life of artists.
In his art he returned to figurative painting, but his works from this period did not reach the previous level of success. He fell into depression, and in 1917 eventually committed suicide.
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