Description
Les coulisses by Alfred Grévin printed on a Hoodie
About the Hoodie
Modern fit
It provides a more tailored look than a regular fit
Comfortable
The fabric and fit of this item are extra comfy
Tear-away tag
Easily removable tear-away tag that allows you to add a custom inside label
Premium quality
The product is made from premium, high-quality materials
Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.
- 65% ring-spun cotton, 35% polyester
- Charcoal Heather is 60% ring-spun cotton, 40% polyester
- Carbon Grey is 55% ring-spun cotton, 45% polyester
- 100% cotton face
- Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
- Front pouch pocket
- Self-fabric patch on the back
- Matching flat drawstrings
- 3-panel hood
- Tear-away tag
Alfred Grévin (1827-1892)
Alfred Grévin was a 19th-century caricaturist, best known during his lifetime for his caricature silhouettes of contemporary Parisian women. He was also a sculptor, cartoonist, and designed costumes and sets for popular theater.
He founded with journalist Arthur Meyer the Musée Grévin, a waxwork museum.
Alfred Grevin was born in a house in the main street of Épineuil in 1827. He studied natural sciences and drawing at the College of Tonnerre. His first job was as an apprentice draughtsman for Paris à Lyon à la Méditerranée railways. In his free time, he would draw for fun.
In 1853 he moved to Paris. He put his cartooning talents at the service of the newspaper Le Gaulois, then headed by Arthur Meyer. He then went on to work for Le Journal amusant and Le Charivari. To supplement his meager salary as a cartoonist and illustrator, he worked as a theater costume designer, and wrote plays.
By 1867 he was able settle in a home in Saint-Mandé, at 16bis rue de Berulle.
In 1869 he founded l’Almanach des Parisiennes with Louis Adrien Huart, and in 1875 Grévin designed the 673 costumes for Jacques Offenbach’s opéra-féerie Le voyage dans la lune, and later for Charles Lecocq’s opera comique The Daughter of Madame Angot
In 1881, Meyer had the idea, along with Alfred Grévin, to represent the personalities that made the front page of the news section as wax mannequins, which allowed visitors – in an era before photography was used in the press – to put a face to the names in the news. This was the beginning of the Musée Grévin, which opened its doors on 5 June 1882 and swiftly became successful. Grévin met Émile Zola on several occasions, whom he wanted to include a portrait of in his collections.
Grevin spent the final two years of his life paralyzed, and died of a sudden stroke of apoplexy in 1892 at Saint-Mandé.
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