Description
Le Colosse de Rhodes imaginaire by Achille Devéria printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Achille Devéria (1800-1857)
Achille Jacques-Jean-Marie Devéria was a French painter and lithographer known for his portraits of famous writers and artists. His younger brother was the Romantic painter Eugène Devéria, and two of his six children were Théodule Devéria and Gabriel Devéria.
His father was a civil employee of the navy. Devéria became a student of Anne-Louis Girodet-Trioson and Louis Lafitte. In 1822, he began exhibiting at the Paris Salon. At some point, he opened an art school together with his brother Eugène, who was also a painter.
By 1830 Devéria had become a successful illustrator and had published many lithographs in the form of notebooks and albums (e.g., his illustrations to Goethe’s Faust, 1828) and romantic novels. He also produced many engravings of libertine contents.
Devéria’s experience in the art of the vignette and Mezzotint influenced his numerous lithographs, most of which were issued by his father-in-law, Charles-Etienne Motte (1785–1836). Most of his work consisted of “pseudo-historical, pious, sentimental or erotic scenes”. (Wright) Since he rarely depicted tragic or grave themes, he appears less Romantic than many other artists of the time.
His paintings were mainly done using watercolours. The French poet and critic Charles Baudelaire referred to his portrait series as showing “all the morals and aesthetics of the age”.
Devéria was also known for doing portraits of artists and writers, whom he entertained in his Paris studio on Rue de l’Ouest. The list of his sitters includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred de Musset, Charles Augustin Sainte-Beuve, Honoré de Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse de Lamartine, Alfred de Vigny, Jane Stirling, and Franz Liszt.
In 1849 Devéria was appointed director of the Bibliothèque Nationale’s department of engravings and assistant curator of the Louvre’s Egyptian department. In the following years, he taught drawing and lithography to his son, Théodule Devéria, and both worked on a family portrait album from 1853 until his death. They applied ink wash to several of the portraits in the album, possibly in preparation for printing lithographs from the photographs. The album photographs by Théodule Devéria are dated 1854.
Devéria spent his last days traveling in Egypt, making drawings and transcribing texts. He died in 1857.
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