Description
La liseuse by Alexandre Charpentier printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Alexandre Charpentier (1856–1909)
Alexandre-Louis-Marie Charpentier was a French sculptor, medalist, craftsman, and cabinet-maker.
From working-class origins and apprenticed to an engraver as a young man, he became a studio assistant to the innovative medallist Hubert Ponscarme. Along with Ponscarme, Louis-Oscar Roty, and other artists, Charpentier advanced a resurgence of art in French medal design. Charpentier’s patrons included André Antoine, for whom he designed theatre programmes.
Charpentier experimented with a wide variety of formats and materials—tin, marble, wood, leather, and terra cotta work, the latter executed by ceramic artisan Emile Müller. He opened several cabinet shops and designed many sets of furniture. Many of his custom designs for fixtures (doorknobs, door plates, window handles and the like) were subsequently mass-produced and commercially sold.
Carpentier’s artistic and literary social circle was perhaps as significant as his output. Among his friends was Constantin Meunier, with whom he collaborated on a monument of Émile Zola, and he had a hand in the sculptural interiors at Le Chat Noir cabaret. His work was also shown at the Les XX exhibition in Brussels in 1893.
In 1895, he was a founding member of the arts group Les Cinq, which sought to apply new mechanical methods to furniture design. (The other founding members were architect Tony Selmersheim, designer Felix Aubert, sculptor Jean Dampt and painter Étienne Moreau-Nélaton.) Architect Charles Plumet would join in 1896, changing the group’s name first to Les Six and then to Art dans Tout with the later association of Henri Sauvage and others.
His second wife was his student, Élisa Beetz-Charpentier, also a medalist and sculptor.
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