La botanique de J. J. Rousseau Pl 15 Hoodie

From $37.67

La botanique de J. J. Rousseau Pl 15 by Pierre Joseph Redouté printed on a Hoodie

Description

La botanique de J. J. Rousseau Pl 15 by Pierre Joseph Redouté printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Pierre Joseph Redouté (1759-1840)

Pierre-Joseph Redouté, was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at Malmaison, many of which were published as large, color stipple engravings. He was nicknamed “the Raphael of flowers” and has been called the greatest botanical illustrator of all time.

Redouté was an official court artist of Marie Antoinette, and continued painting through the French Revolution and Reign of Terror. He survived the turbulent political upheaval to gain international recognition for his precise renderings of plants, which remain as fresh in the early 21st century as when first painted. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After Queen Marie-Antoinette, his patrons included both of Napoleon’s wives — Empress Joséphine and Marie Louise, Duchess of Parma—as well as Maria Amalia of Naples and Sicily wife of Louis Philippe I, the last king of France.

Redouté collaborated with the greatest botanists of his day and participated in nearly fifty publications depicting both the familiar flowers of the French court and plants from places as distant as Japan, America, South Africa, and Australia. He worked from live plants rather than herbarium specimens, which contributed to his fresh, subtle renderings. He was painting during a period in botanical illustration (1798 – 1837) that is noted for the publication of outstanding folio editions with coloured plates. Redouté produced over 2,100 published plates depicting over 1,800 different species, many never rendered before. Of the French botanical illustrators employed in the French capital, Redouté is the one which remains in the public consciousness today. He is seen as an important heir to the tradition of the Flemish and Dutch flower painters Brueghel, Ruysch, van Huysum and de Heem.

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