Komposisjon Hoodie

From $37.67

Komposisjon by Ragnhild Keyser printed on a Hoodie

Description

Komposisjon by Ragnhild Keyser printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Ragnhild Keyser (1889 – 1943)

Ragnhild Keyser was a Norwegian painter. She was a visual artist and abstract painter principally active during the 1920s.

Keyser was born in Oslo, Norway. She was the daughter of Ove Ludvig Keyser (1830-1889) and Karen Helga Ingebretsen (1849-1942). She first studied under Harriet Backer (1909–10) and with Pola Gauguin (1916–19).

She moved to Paris in 1920 and performed her most important works there during the years 1925-1927. She was a student of Roger Bissière and André Lhote at Académie Ranson in the early 1920s, Pedro Araujo at Académie Araujo (1922–23) and Fernand Léger at Académie Moderne (1924–26). She became inspired by Cubism and was most influenced by André Lhote and Fernand Léger.

Keyser participated in several exhibitions in the 1920s, including Salon des Indépendants (1923 and 1926), L’Art d’Aujourd’hui (1925) and Académie Moderne’s exhibitions in Paris in 1926 and 1927. She also exhibited at the International Exhibition of Modern Art at the Brooklyn Museum in New York City (1926–27). She exhibited at Blomqvist’s Kunsthandel in Oslo during 1932 and studied with Georg Jacobsen (1935–36).

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