Honorable James William Dillon Hoodie

From $37.67

Honorable James William Dillon by John Hoppner printed on a Hoodie

Description

Honorable James William Dillon by John Hoppner printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

John Hoppner (1758 – 1810)

John Hoppner RA was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist.

Hoppner was born in Whitechapel, London, the son of German parents – his mother was one of the German attendants at the royal palace. King George showed a fatherly interest and patronage of the young boy that gave rise to rumours, quite unfounded, that he may have been his illegitimate son.

Hoppner became a chorister at the royal chapel, but, showing strong inclination for art, in 1775 he entered the Royal Academy. In 1778 he took a silver medal for drawing from life, and in 1782 the Academy’s highest award, the gold medal for historical painting, his subject being King Lear.

Hoppner first exhibited at the Royal Academy in 1780. His earliest love was for landscape, but necessity obliged him to turn to the more lucrative business of portrait painting. At once successful, he had throughout life the most fashionable and wealthy sitters, and was the greatest rival to the growing attraction of Thomas Lawrence. He rarely attempted ideal subjects, though a Sleeping Venus, Belisarius, Jupiter and Io, a Bacchante and Cupid and Psyche are recorded among his works. The Prince of Wales visited him especially often, and many of his finest portraits were hung in the state apartments at St James’s Palace, notably those of the prince himself, the Duke and Duchess of York, Lord Rodney and Lord Nelson. His other sitters included Sir Walter Scott, the Duke of Wellington, Henry Bartle Frere and Sir George Beaumont.

In 1803 he published A Series of Portraits of Ladies, engraved after his paintings by Charles Wilkin, and in 1805 a volume of translations of Eastern tales into English verse.

Unusually Hoppner painted the background and perhaps more of a full-length portrait of Charlotte, Countess Talbot by Thomas Gainsborough in 1788, the year in which Gainsborough died. It is now in the Dunedin Public Art Gallery.

Hoppner was a man of great social power, and had the knowledge and accomplishments of a man of the world.

He married Phoebe Wright, the daughter of American-born sculptor Patience Wright. They had five children, although little is known about the youngest.

In his later years Hoppner suffered from a chronic disease of the liver. He died on 23 January 1810.

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