Description

Gipsy by Simon de Vos printed on a T-Shirt

About the T-Shirt

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

• Solid colors are 100% Airlume combed and ring-spun cotton
• Ash color is 99% combed and ring-spun cotton, 1% polyester
• Heather colors are 52% combed and ring-spun cotton, 48% polyester
• Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
• Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
• Fabric weight: 4.2 oz./yd.² (142 g/m²)
• Pre-shrunk fabric
• 30 singles
• Side-seamed construction
• Tear-away label
• Shoulder-to-shoulder taping
• Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Simon de Vos (1603 – 1676)

Simon de Vos was a Flemish painter, draughtsman and art collector. He started his career making small-format cabinet pictures of genre scenes, in particular of Caravaggesque merry companies. Later he switched to history painting, working on larger formats in a Flemish Baroque style which was influenced by Rubens and van Dyck.

Simon de Vos was born in Antwerp as the son of the dice maker Herman de Vos and Elisabeth van Oppen.

At only 12 years old de Vos started his art studies in 1615 with the eminent portrait painter Cornelis de Vos (1584 – 1651), to whom he was not related. Upon completion of his training in 1620, he became at the young age of 17 a master in Antwerp’s Guild of Saint Luke.

There is uncertainty about de Vos’ movements after he became a master. It is possible that he stayed in Antwerp, where he may have worked in the workshop of Peter Paul Rubens. Alternatively, he may have travelled abroad. A stay in Rome is suggested by his early works, which show a similarity with the “low-life” genre paintings of the group of Dutch and Flemish painters active in Rome known as the Bamboccianti. An influence by the German painter Johann Liss active in Rome in the 1620s has been discerned in de Vos’ paintings and may also be explained by a residence in Rome. In addition, on the basis of the attribution to Simon de Vos of a 1626 composition referred to as Gathering of Smokers and Drinkers (Louvre Museum, Paris) it is believed that de Vos resided in Aix-en-Provence in France in the mid-1620s.

De Vos must have returned to his hometown in 1626 as in that year he married Catharina van Utrecht, a sister of the Antwerp still life painter Adriaen van Utrecht. The couple remained childless. He worked in Antwerp for most of his life. He is known to have supplied art works for the Antwerp art dealers Forchondt and Chrysostoom van Immerseel. He enjoyed the respect of his peers as is shown by the fact that when Rubens died his estate included one of his pictures. De Vos was successful financially. When his wife died in 1670 he possessed four properties in Antwerp and owned a collection of 290 paintings.

Between 1629 and 1649 he received 6 pupils. These included Gregori de Greeff, the other Jan van Kessel (ca. 1620-in of na 1661), Jan van Kessel the Elder and Caspar van Opstal.