Description
De automobile van Steengracht-Moyland in het Prinzenhof te Cleve by Carel Nicolaas Storm van ‘s-Gravesande printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Carel Nicolaas Storm van ‘s-Gravesande (1841 – 1924)
Carel Nicolaas Storm van ‘s Gravesande was a Dutch painter, etcher and lithographer; associated with the Hague School. He is best known for seascapes, interior portraits and still-lifes.
He came from an aristocratic family. Although he expressed an early interest in art, his father insisted that he study law. He did so, at the University of Leiden, and graduated in 1865. Three years later, he defied his family’s wishes and moved to Brussels, where he studied with Willem Roelofs, Paul Gabriël and Félicien Rops, who taught him etching and became a lifelong friend.
In 1893, he returned to the Netherlands and settled in The Hague, where he became a member of the Hague School, a group of artists who had been heavily influenced by the Barbizon School. He continued to travel, however, with stays in Paris, Wiesbaden (for two years), Cologne and Berlin. In 1900, he was awarded a gold medal at the Exposition Universelle.
He is credited with helping to create a renewal of interest in etching as an independent art form and produced more than 400 etchings; mostly landscapes and cityscapes. With Willem Witsen, he was a co-founder of the “Nederlandse Etsclub” (Dutch Etching Club). His works may be seen in museums around the world, including the British Museum and the Detroit Institute of Arts. As a lithographer, he is believed to have been among the first to use aluminum plates, rather than stone or zinc.
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