Description
Costume Design For The May Queen III by Alexander Yakovlevich Golovin printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Alexander Yakovlevich Golovin (1863-1930)
Aleksandr Yakovlevich Golovin was a Russian artist and stage designer. He designed productions for Sergei Diaghilev, Constantin Stanislavski, and Vsevolod Meyerhold.
Born at Moscow, Golovin initially studied architecture, later switching to painting. He also attended the Académie Colarossi. Due to financial difficulties, upon graduation he worked as an interior painter and decorator. He also tried his hand at various artistic fields such as furniture design. In 1900 he took part in designing the Russian Empire pavilion at the Paris World’s Fair together with his friend K.A. Korovin. He studied at the Académie Vitti in Paris. In 1901 he moved to the Saint Petersburg region from Moscow. It was here that he came into his own as a stage designer, combining symbolism and modernism on operatic and dramatic productions for Diaghilev, Meyerhold and others. After the Revolution of 1917, Golovin found work in theatre less and less often, and so delved into painting and graphic illustration.
Golovin provided the set design for the 1910 original production of Stravinsky’s The Firebird ballet.
Golovin provided the scenic design for an important production of Pierre Beaumarchais’s The Marriage of Figaro at the Moscow Art Theatre. The seminal Russian theatre practitioner Constantin Stanislavski directed the play in fast and free-flowing production that opened on 28 April 1927, having been rehearsed since the end of 1925. Stanislavski re-located the play’s action to pre-Revolutionary France and trimmed its five-act structure to eleven scenes; Golovin employed a revolve to quicken scene-changes. It was a great success, garnering ten curtain calls on opening night.
Golovin was appointed a People’s Artist of the RSFSR. He died in Detskoye Selo on 17 April 1930.
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