Description
Cattle Watering by Corinthian Columns by Copley Fielding printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Copley Fielding (1787-1855)
Anthony Vandyke Copley Fielding, commonly called Copley Fielding, was an English painter born in Sowerby, near Halifax, and famous for his watercolour landscapes. At an early age Fielding became a pupil of John Varley. In 1810 he became an associate exhibitor in the Old Water-colour Society, in 1813 a full member and in 1831 President of that body (later known as the Royal Society of Watercolours), until his death. In 1824 he won a gold medal at the Paris Salon alongside Richard Parkes Bonington and John Constable. He also engaged largely in teaching the art and made ample profits. He later moved to Park Crescent in Worthing and died in the town in March 1855.
Copley Fielding was a painter of much elegance, taste and accomplishment and has always been highly popular with purchasers. He painted a vast number of all sorts of views (occasionally in oil-colour) including marine subjects. Examples of his work is held by the Victoria and Albert Museum and other major museums in Britain. Among the engraved specimens of his art is the Annual of British Landscape Scenery, published in 1839.
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