Description
Blad Til ‘dagens Flue’ by Robert Storm Petersen printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Robert Storm Petersen (1882 – 1949)
Robert Storm Petersen was a Danish cartoonist, writer, animator, illustrator, painter and humorist. He is known almost exclusively by his pen name Storm P.
He was the son of a butcher and grew up in Copenhagen in a lower middle class/worker’s milieu whose jargon is felt in much of his writings. After interrupted studies at the Academy of Art, he worked as a free-lance painter, illustrator and cabaret entertainer. Already during World War I he was a well-known artist, and from about 1920 onward he was almost a national “institution” as a humorist, partly because of his versatile interests. He was for many years connected to the Copenhagen newspaper “Berlingske Tidende” as a comic writer and cartoonist.
As a humorist, Storm P. is related to British and American humour, with a strong touch of craziness and absurdity. However, he is less marked by total nonsense than, for instance, Lewis Carroll. Often his starting point is a plain Copenhagen jargon, combined with a Danish down-to-earth homespun philosophy and all kinds of cosy fun and comedy; the “little” man’s unimpressed comments on a crazy world.
Though normally loved by most of his countrymen, Storm P. has also been criticised for being too toothless, cosy and petit bourgeois. In spite of his social background and interest of poor milieus, he very seldom shows deeper social criticism or revolutionary opinions; the dramatic age in which he lived left rather small stamps on his work. On the other hand he was no staunch giggler; many of his paintings deal with death, sorrow and macabre themes. Though not a revolutionary, he has indeed painted the victims of social injustice and misery, often with a strong touch of compassion. Melancholy and fear are not unknown to him, but his official appearance was an optimistic one.
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