Allegorical composition celebrating the Humanities T-Shirt

From $17.02

Allegorical composition celebrating the Humanities by Nicolas Dorigny printed on a T-Shirt

Description

Allegorical composition celebrating the Humanities by Nicolas Dorigny printed on a T-Shirt

About the T-Shirt

Regular fit

Standard length, the fabric easily gives into movement

Casual wear

A classic, everyday option loved by our customers

Side-seamed

Constructed by sewing two parts together, creating a fitted look

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

  • Solid colors are 100% Airlume combed and ring-spun cotton
  • Ash color is 99% combed and ring-spun cotton, 1% polyester
  • Heather colors are 52% combed and ring-spun cotton, 48% polyester
  • Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
  • Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
  • Fabric weight: 4.2 oz./yd.² (142 g/m²)
  • Pre-shrunk fabric
  • 30 singles
  • Side-seamed construction
  • Tear-away label
  • Shoulder-to-shoulder taping
  • Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Nicolas Dorigny

Sir Nicolas Dorigny was a French engraver, the youngest son of Michel Dorigny, and was born in Paris in 1658. His education prepared him for the legal field, and he followed that profession until he was thirty years of age, when, as a result of deafness, he turned to the arts. He died in 1746.

Dorigny visited Italy, where he remained for twenty-eight years. His first plates were executed with the point. He is better known, however, for his technique unifying the point and the graver, characteristic of his later productions. He took for his model the admirable works of Gérard Audran.

Although he may not have equalled that celebrated artist, either in the style of his drawing, or in the picturesque effect of his light and shade, his prints will always be esteemed both for their merit as engravings and for the importance of the subjects which he chose.

In 1711, he was invited to England by Queen Anne to engrave the Cartoons of Raphael at Hampton Court, which he finished in 1719, and in the following year he was knighted by King George I. While he was in England he painted some portraits of the nobility, but with no great success. He returned to France in 1725, and was received into the Academy in the same year. He exhibited some pictures of sacred subjects at the Salon from 1739 to 1743, and died in Paris in 1746.

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