Description
1813 [Women’s fashion in nineteenth-century Paris] by Henri Boutet printed on a Hoodie
About the Hoodie
Modern fit
It provides a more tailored look than a regular fit
Comfortable
The fabric and fit of this item are extra comfy
Tear-away tag
Easily removable tear-away tag that allows you to add a custom inside label
Premium quality
The product is made from premium, high-quality materials
Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.
- 65% ring-spun cotton, 35% polyester
- Charcoal Heather is 60% ring-spun cotton, 40% polyester
- Carbon Grey is 55% ring-spun cotton, 45% polyester
- 100% cotton face
- Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
- Front pouch pocket
- Self-fabric patch on the back
- Matching flat drawstrings
- 3-panel hood
- Tear-away tag
Henri Boutet (1851-1919)
Henri Boutet is a French engraver and illustrator. He was born in Sainte-Hermine (Vendée) in 1851, and died in Paris on 9 June 1919. He was nicknamed the “little master of corset” or the “painter of the midinette”
Boutet specialized in the 1890s in the production of etchings and drypoints representing women in negligee, in the style of “Parisian” and has had little success with an informed public. The print is in limited edition. With his growing reputation, Boutet launched his own publishing house and sold his productions to periodicals such as Le Frou-frou, L’Assiette au beurre, Le Pêle-Mêle, or artistic publications such as La Plume, L’Estampe originale, The modern print or even the Hundred Collection. It illustrates many almanacs (The Female Year), calendars, menus.
In 1902 he published “Les Modes Feminines du XIXe Siecle” which met with instant acclaim. His 100 drypoint etchings showed the development of fashion for each year from 1801 to 1900 – drypoint etching results in an image with intrinsic softness of texture. The illustrations were hand-coloured, with close attention to detail, and a treatment that showed his affection for the subject matter. This collection of original etchings was limited to an edition of 600 copies.
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