A midsummer night’s dream Pl.05 T-Shirt

From $17.02

A midsummer night’s dream Pl.05 by Pinckney Marcius-Simons printed on a T-Shirt

Description

A midsummer night’s dream Pl.05 by Pinckney Marcius-Simons printed on a T-Shirt

About the T-Shirt

Regular fit

Standard length, the fabric easily gives into movement

Casual wear

A classic, everyday option loved by our customers

Side-seamed

Constructed by sewing two parts together, creating a fitted look

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

  • Solid colors are 100% Airlume combed and ring-spun cotton
  • Ash color is 99% combed and ring-spun cotton, 1% polyester
  • Heather colors are 52% combed and ring-spun cotton, 48% polyester
  • Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
  • Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
  • Fabric weight: 4.2 oz./yd.² (142 g/m²)
  • Pre-shrunk fabric
  • 30 singles
  • Side-seamed construction
  • Tear-away label
  • Shoulder-to-shoulder taping
  • Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Pinckney Marcius-Simons (1867-1909)

A New York City native, visionary symbolist painter Pinckney Marcius-Simons spent most of his adult life in Europe, having been taken there as a baby by his parents. He did not return until he was age 25. He was especially known for the high coloration of his paintings.

Marcius-Simons was a visionary Symbolist artist, his subject matter included Gothic cathedrals, dramatic skyscapes, and heroic figures such as Apotheosis of Joan of Arc, Flower Fairies, Guardian Angels and Parsifal and the Knights.

Marcius-Simons began studying art at the age of twelve and took formal training at the Vaugirard College in Pairs with J.G. Vibert (1840-1902). Early in his career, his primary subject was sentimental genre and history, which he exhibited at the Paris Salon in 1882, but later he turned to idealistic, poetic works influenced by J.M.W. Turner and French Symbolism. However, he did not follow the strictures of the leaders of the Symbolists but incorporated aspects that suited his imagination and talents.

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