Allegory of the Night Hoodie

From $37.67

Allegory of the Night by Léon Frédéric printed on a Hoodie

Description

Allegory of the Night by Léon Frédéric printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Léon Frédéric (1856–1940)

Léon-Henri-Marie Frédéric was a Belgian Symbolist painter. His earliest paintings joined Christian mysticism with pantheistic themes, while his later works increasingly reflected social concerns. Much of his work also shows the influence of fifteenth and sixteenth century Flemish art and Renaissance painting styles.

His father was a prosperous jeweler. In 1871, he was apprenticed to the architect and decorative painter, Charle-Albert [fr] and began taking night courses at the Académie Royale des Beaux-Arts in Brussels. In 1874, he found a position in the workshop of Jean-François Portaels. The following year, he and several other young art students engaged a private studio where they could paint from live, nude models. From 1876 to 1878, he entered the Prix de Rome, but was not successful. Finally, his father financed a trip for studies in Italy from 1878 to 1879. There. he travelled to Naples, Rome, Florence and Venice. His favorite painters were Sandro Botticelli and Domenico Ghirlandaio.

On his return from Italy, he made his debut at the Brussels Salon, where he came under the influence of Jules Bastien-Lepage, and became a member of the artist group L’Essor. In 1883, he moved to Vresse-sur-Semois, in the Belgian Ardennes, and traveled extensively to England, Germany and the Netherlands. He was awarded a gold medal at the Exposition Universelle (1889). The young Alexandre Benois was a great admirer of his works and, in 1898, arranged for several to be purchased by Princess Maria Tenisheva, for an exhibition in St. Petersburg.

After his marriage, he moved to his final home in Schaerbeek in 1899, and continued to travel and exhibit his work in international fairs, winning awards in the United States and Germany and another gold medal at the Exposition Universelle (1900).

In 1904, he was appointed a member of the Académie Royale and, in 1929, was created a Baron and a Knight of the Order of Leopold by King Albert I.

His works may be seen at the Museum of Ixelles, Royal Museums of Fine Arts of Belgium, Museum of Fine Arts, Ghent and the Musée d’Orsay. The Four Seasons is currently on display at the Philadelphia Museum of Art. The Chalks Sellers and The Stream are currently displayed at the Royal Museums of Fine Arts, Brussels. A street in Schaerbeek has been named after him.

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