Description
Allegory. Sweden, Finland and Mars, the God of War by Louis Masreliez printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Louis Masreliez (1748-1810)
Louis Masreliez, born Adrien Louis Masreliez, was a French born, Swedish painter and interior designer.
Masreliez was born in Paris and came to Sweden at the age of 5 in 1753. He was the son of French ornamental sculptor Adrien Masreliez (1717-1806) and the elder brother of sculptor Jean Baptiste Masreliez (1753–1801).
He began his education at the Royal Swedish Academy of Fine Arts (Ritakademien) at the age of 10. Since the academy did not teach painting, he studied in Stockholm at the workshop of ornament painter Lorens Gottman (1708-1779).
In 1769 he was given a study grant which he used to travel to Paris, Bologna and Rome to study. In Rome he spent time with several of the French, Italian and German artists who would shape the Neoclassicism decorative style. In 1783, Louis Masreliez was called back to Sweden after his twelve-year absence. Following his returned to Sweden, he became a member (ledamot) of the Royal Swedish Academy of Arts. The following year he was made a professor of art history. He became rector of the Academy in 1802 and director in 1805.
His work is represented in the Swedish Nationalmuseum, the Gothenburg Museum of Art, and the Royal Palace.
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