Description
Odyssee-Zyklus 9 by Friedrich Preller the Elder printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Friedrich Preller the Elder (1804-1878)
Friedrich Preller the Elder was a German landscape painter and etcher. From 1832 he was a professor at the Fürstlichen freien Zeichenschule in Weimar. He was the father of the artist Friedrich Preller the Younger.
He was born at Eisenach. After studying drawing at Weimar, he went in 1821, on Goethe’s advice, to Dresden, where in 1824 he was invited to accompany the grand duke of Weimar to Belgium. He became a pupil in the academy at Antwerp. From 1827 to 1831 he studied in Italy, and in 1831 received an appointment in the Weimar school of art.
In 1834–1836 he executed in tempera six pictures on subjects taken from the Odyssey in the Roman House at Leipzig, in 1836–1837 the landscapes with scenes from Oberon in the Wieland room in the grand-ducal Schloss at Weimar, and in 1836–1848 six frescoes on Thuringian subjects commissioned by the grand duchess.
In 1840 he visited Norway and produced a number of easel works, some of which are preserved at Weimar. In 1859 he revisited Italy, and on his return in 1861 he completed for the grand-ducal museum the frescoes illustrative of the Odyssey, which are held to constitute his chief claim to fame. He returned to Weimar, where he died.
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