Santiago De Cuba Hoodie

From $37.67

Santiago De Cuba by Edmund Darch Lewis printed on a Hoodie

Description

Santiago De Cuba by Edmund Darch Lewis printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Edmund Darch Lewis (1835 – 1910)

Edmund Darch Lewis was an American landscape painter known for his prolific style and marine oils and watercolors. Lewis was born in Philadelphia, Pennsylvania, in a well-to-do family. He started training at age 15 with German-born Paul Weber (1823–1916) of the Hudson River School. At age 19 he exhibited at the Pennsylvania Academy of the Fine Arts, and was elected an Associate of the Academy at age 24.

Lewis’s early work in oil, because of his excellent training, was precocious and is considered technically superior to his later work. He traveled throughout Pennsylvania, New Jersey and New York, painting river scenes, and for 2 decades he traveled to the White Mountains and painted landscapes of mountains, rivers, and lakes. He made extensive marine paintings throughout New England, becoming a prolific and successful artist. His work was appreciated because of the luminosity of their objects. Because of the lively yet glowing work, he is considered one of the Luminist painters in the Hudson River School.
After mastering oil painting early in his career, Lewis switched to watercolor painting. Although not as technically outstanding, his watercolors were also admired for their luminosity – Luminism, and Lewis continued to generate canvases in mass production style.

Later in life, as an affluent artist Lewis collected decorative art, including furniture, ceramics, tapestries, and paintings by the masters. He had 2 adjacent homes constructed on 22nd St. in downtown Philadelphia to show his collection to Philadelphia society.

Lewis’s painting of Lake Willoughby (Vermont), a huge 80-inch canvas finished in 1867, is owned by the Pennsylvania Academy. The painting emphasized both the picturesque and sublime aspects of nature like other popular, mid-century popular spectacular panoramas of the Hudson River School.

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