Port breton Hoodie

From $37.67

Port breton by Louis Vivin printed on a Hoodie

Description

Port breton by Louis Vivin printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Louis Vivin (1861-1936)

Louis Vivin was a French primitivist painter.

Vivin was born in Hadol, France. He showed great enthusiasm for painting as a child, but his career took him in a completely different direction. Until 1922 he worked for the mobile branch of the French postal service, pursuing his art only in his spare hours. During this time he produced a series of maps showing the location of each post office in every postal district of France; this won him two years’ seniority, the rank of inspector and the ribbon of the Palmes académiques, but the postal authorities decided that it would be too expensive to have the maps printed.

In 1889 he moved to Paris, where he lived with his wife in a small fifth-floor flat – two rooms and kitchen – in the district of Montmartre. He visited the Louvre and the Musée du Luxembourg: “The old masters left him unimpressed, but he liked Corot and Courbet, and fell in love with Meissonier. One night he had a vision: Meisoonier appeared in a dream and told him that he could be a great artist if he tried.”

Once he retired, on a pension, in 1923, Vivin finally became a full-time artist.

He was self-taught and a representative of naïve painting. Eventually, he was discovered by the German art critic Wilhelm Uhde (1874–1947), an association which helped him start exhibiting and build a reputation as a serious artist.

Towards the end of his life he had a stroke, followed by another, which affected his speech and left him unable to paint. He died, aged 75, on 28 May 1936, and was buried in the Cimetière parisien de Pantin.

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