Description

The Chapel of Grace in Antwerp by Henri de Braekeleer printed on a T-Shirt

About the T-Shirt

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

• Solid colors are 100% Airlume combed and ring-spun cotton
• Ash color is 99% combed and ring-spun cotton, 1% polyester
• Heather colors are 52% combed and ring-spun cotton, 48% polyester
• Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
• Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
• Fabric weight: 4.2 oz./yd.² (142 g/m²)
• Pre-shrunk fabric
• 30 singles
• Side-seamed construction
• Tear-away label
• Shoulder-to-shoulder taping
• Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Henri de Braekeleer (1840-1888)

Henri Jean Augustin de Braekeleer was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer’s most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

In 1869, de Braekeleer signed a contract with the Belgian art dealer, Gustave Coûteaux, a relationship that continued until 1876. In the same year, his uncle Baron Leys died. The two events combined to create the most productive period in de Braekeleer’s career, when he made the works for which he is best known and received public recognition for them. In 1872, he received a gold medal at the Salon in Brussels for The Geographer and The Lesson and, in 1873, a gold medal at the International Exhibition in Vienna for The Painter’s Studio and Grandmother’s Birthday Celebration (all in the Royal Museum of Fine Arts, Brussels). However, apparently because of depression, he seems to have stopped painting between 1879 and 1881. When he started to work again, he used a shorter and more visible brushstroke, perhaps as a result of the influence of the Impressionists. Vincent van Gogh mentioned de Braekeleer in letters to his brother Theo several times, referring to him as an artist he liked as well as one afflicted by mental illness.