Description

Landscapes and calligraphy Pl.6 by Gao Fenghan printed on a Hoodie

Passing the local-level civil-service examination in 1727, Gao Fenghan served as a petty bureaucrat in Anhui Province for about a decade. Then, in 1737, Gao not only lost his government position but his right hand suddenly became paralyzed from acute rheumatism. Painfully training himself to write and paint with his left hand, he came to prize the crude awkwardness of his left-handed brushwork—a quality he had been unable to attain with his right hand. Supporting himself through his painting, he moved to a Buddhist monastery in Yangzhou, where he became close friends with the eclectic group of artists known as the Eight Eccentrics of Yangzhou. In 1741 he left Yangzhou and retired to his hometown in Shandong Province.

This small album, dated 1736, was done one year before Gao lost the use of his right hand. It shows the artist already working in a highly individualistic, naive style that reflects, in part, his lack of contact with ancient masterpieces. In contrast to Orthodox School painters, who drew inspiration from the works of Song and Yuan scholar-artists, Gao reveals in his inscriptions his artistic debt to near-contemporary professional painters such as Lan Ying (1585–after 1664), Gong Xian (1619?–1689), and Dai Benxiao (1621–1698).

About the Hoodie

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

• 65% ring-spun cotton, 35% polyester 
• Charcoal Heather is 60% ring-spun cotton, 40% polyester
• Carbon Grey is 55% ring-spun cotton, 45% polyester
• 100% cotton face
• Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
• Front pouch pocket
• Self-fabric patch on the back
• Matching flat drawstrings
• 3-panel hood
• Tear-away tag

Gao Fenghan (1683–1749)

Gāo Fènghàn was born in Shandong to a minor bureaucrat. He was a painter, poet, and seal-carver, and he later became associated with the Yangzhou school of painters. These painters were known as eccentrics for their unorthodox style and preference for individualism. Gāo Fènghàn is not usually considered one of the eight Yangzhou eccentrics, but is associational. Like his father, he served a minor post in the bureaucracy, but this did not occur until 1739. In 1736, this job led to his imprisonment. The following year, injuries during his time in prison combined with arthritis disabled his right hand. After that he painted with his left. These paintings have since gained some renown among Chinese art collectors.