Description
Tambur by Ragnhild Keyser printed on a T-Shirt
About the T-Shirt
Regular fit
Standard length, the fabric easily gives into movement
Casual wear
A classic, everyday option loved by our customers
Side-seamed
Constructed by sewing two parts together, creating a fitted look
The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too!
- Solid colors are 100% Airlume combed and ring-spun cotton
- Ash color is 99% combed and ring-spun cotton, 1% polyester
- Heather colors are 52% combed and ring-spun cotton, 48% polyester
- Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
- Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
- Fabric weight: 4.2 oz./yd.² (142 g/m²)
- Pre-shrunk fabric
- 30 singles
- Side-seamed construction
- Tear-away label
- Shoulder-to-shoulder taping
- Blank product sourced from Nicaragua, Mexico, Honduras, or the US
Ragnhild Keyser (1889 – 1943)
Ragnhild Keyser was a Norwegian painter. She was a visual artist and abstract painter principally active during the 1920s.
Keyser was born in Oslo, Norway. She was the daughter of Ove Ludvig Keyser (1830-1889) and Karen Helga Ingebretsen (1849-1942). She first studied under Harriet Backer (1909–10) and with Pola Gauguin (1916–19).
She moved to Paris in 1920 and performed her most important works there during the years 1925-1927. She was a student of Roger Bissière and André Lhote at Académie Ranson in the early 1920s, Pedro Araujo at Académie Araujo (1922–23) and Fernand Léger at Académie Moderne (1924–26). She became inspired by Cubism and was most influenced by André Lhote and Fernand Léger.
Keyser participated in several exhibitions in the 1920s, including Salon des Indépendants (1923 and 1926), L’Art d’Aujourd’hui (1925) and Académie Moderne’s exhibitions in Paris in 1926 and 1927. She also exhibited at the International Exhibition of Modern Art at the Brooklyn Museum in New York City (1926–27). She exhibited at Blomqvist’s Kunsthandel in Oslo during 1932 and studied with Georg Jacobsen (1935–36).
Reviews
There are no reviews yet.