Sunset over the Nile Hoodie

From $37.67

Sunset over the Nile by Charles Théodore Frère printed on a Hoodie

Description

Sunset over the Nile by Charles Théodore Frère printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Charles Théodore Frère (1814 – 1888)

Charles-Théodore Frère was a French Orientalist painter.
The son of a Paris music publisher, Frère studied at the École des Beaux-Arts under Jules Coignet and Camille Roqueplan. On completing his studies, he travelled throughout France visiting Alsace, Auvergne and Normandy.

On returning to Paris, he exhibited Vue des Environs de Strasbourg at the 1834 Paris Salon. His exhibits at the Salon in subsequent years were nearly all Orientalist paintings as a result of several journeys to Africa and the Near East. . Charles Théodore Frère exhibited at the Paris Salon from 1834 to 1881, participated in the Expositions Universelles of 1855, 1867 and 1878 in Paris and, up to and including 1887, in the Salon des Artistes Français. He was awarded medals in 1848 and in 1865.

After a stay in Algiers in 1836, he left with the army for Constantine which was taken on 13 October 1837, returning to Paris in 1839. Like his younger brother Pierre-Édouard, he was a prolific painter. During his first trip to Algeria, he completed works for the King of Württemberg. Around 1851, he undertook a further journey to the Near East, visiting Malta, Greece, Egypt and Turkey becoming one of the few artists to paint Beirut, Damascus and Palmyra. In 1853, he established a studio in Cairo, becoming the court painter there. The viceroy of Egypt elevated him to the rank of bey.

In 1869, he once again travelled to the Egypt, now as a member of Empress Eugénie’s party, for the opening of the Suez Canal. She commissioned a series of watercolours which could not be delivered to her owing to the 1870 Franco-Prussian War. Instead they were given to her friend and pupil, the Marquis of Puisaye.

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