Versuchung Der Heiligen Gudula Hoodie

From $37.67

Versuchung Der Heiligen Gudula by Joseph von Führich printed on a Hoodie

Description

Versuchung Der Heiligen Gudula by Joseph von Führich printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Joseph von Führich (1800 – 1876)

Joseph von Führich [or Josef Ritter von Führich] was an Austrian painter, one of the Nazarenes.

He was born at Kratzau (Czech: Chrastava) in Bohemia. Deeply impressed as a boy by rustic pictures adorning the wayside chapels of his native country, his first attempt at composition was a sketch of the Nativity for the festival of Christmas in his father’s house.

Führich became a pupil at the Academy of Prague in 1816. His first inspiration was derived from the prints of Dürer and Peter von Cornelius’ illustrations to Goethe’s Faust, and the first fruit of this turn of study was the Genofeva series. In 1826 he went to Rome, where he added three frescoes to those executed by Cornelius and Overbeck in the Casino Massimo, showing scenes from Torquato Tasso’s Gerusalemme liberata.

Führich was an adherent of the Nazarene movement, a romantic religious artist who sought to restore the spirit of Dürer and give new shape to biblical subjects. Without the power of Peter von Cornelius or the grace of Johann Friedrich Overbeck, he composed with great skill, especially in outline. His mastery of distribution, form, movement and expression was considerable. In its peculiar way his drapery was perfectly cast.

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