Description
Govert van Slingelandt by Jan Mijtens printed on a Hoodie
About the Hoodie
Modern fit
It provides a more tailored look than a regular fit
Comfortable
The fabric and fit of this item are extra comfy
Tear-away tag
Easily removable tear-away tag that allows you to add a custom inside label
Premium quality
The product is made from premium, high-quality materials
Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.
- 65% ring-spun cotton, 35% polyester
- Charcoal Heather is 60% ring-spun cotton, 40% polyester
- Carbon Grey is 55% ring-spun cotton, 45% polyester
- 100% cotton face
- Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
- Front pouch pocket
- Self-fabric patch on the back
- Matching flat drawstrings
- 3-panel hood
- Tear-away tag
Jan Mijtens (ca. 1614 – 1670)
Johannes Mytens or Jan Mijtens, or “Mytens” to the English was a Dutch Golden Age painter, almost entirely as a portraitist.
Mytens was born in The Hague. According to Houbraken, Johannes (Jan) Mijtens was trained by Anthony van Opstal and later by Nicolas van der Horst. Both of his uncles, Isaac Mijtens and Daniël Mijtens, were painters, and his son Cornelis became an engraver. This statement has often been repeated by various art historians, but unfortunately, Houbraken mixed up his notes on this artist with his notes on Jan Meyssens, the engraver. This Jan Mytens did not have a son Cornelis who was a good engraver. That was Jan Meyssens (and the Meyssens lived in Antwerp, not the Hague).
Mytens became a member of The Hague Guild of Saint Luke in 1642 and helped set up the Confrerie Pictura. He painted for Dutch royalty and specialized in portraiture, genre pieces, and historical allegories. Mytens was especially skilled at rendering the clothing of affluent Dutch. According to the RKD, his students were Nicolaes Lissant, Gerard de Nijst, Adriaen Stalpert van der Wiele, Pouwels van de Velde, Andries Thijsz. de Wit, and Urbanus Talibert van Yperen. He died in The Hague.
In his 1652 painting of the family of Mr. Willem van den Kerckhoven, the youngest son Pellegrom (leaning against his father’s leg) was added later in 1655 (he was not yet born in 1652). The five angels depict other children who died in infancy.
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