Kinder mit Kätzchen Hoodie

From $37.67

Kinder mit Kätzchen by Fritz Zuber-Bühler printed on a Hoodie

Description

Kinder mit Kätzchen by Fritz Zuber-Bühler printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Fritz Zuber-Bühler (1822 – 1896)

Fritz Zuber-Buhler was a Swiss painter in the style of Academic Classicism, born at Le Locle in Switzerland.

At sixteen years of age he moved to Paris, France where found his first teacher, Louis Grosclaude. Later he studied at the École des Beaux-Arts and then refined his technical skills with François-Édouard Picot, who followed the same lineage of contemporaneous artists such as Léon Perrault, Bouguereau, and Alexandre Cabanel. Afterwards he spent some time in Italy searching for inspiration; he may have also studied in Berlin. After five years abroad, he returned to Paris, where he made his debut at the Salon in 1850. In subsequent Salons he showed works in many media: oil paintings, drawings, pastels and watercolors.

His painting Innocence shows his romantic view of the peasant children and their environment. He painted mythological and religious subjects, as well as commissioned portraits. Zuber-Buhler exhibited in the United States at the Pennsylvania Academy of the Fine Arts and achieved considerable success. He exhibited at the Salon (Paris) until 1891, by which time the European academic tradition he represented was past its heyday.

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