Description
Harengs et crevettes by Henri Manguin printed on a Sweatshirt
About the Sweatshirt
Regular fit
Standard length, the fabric easily gives into movement
Comfortable
The fabric and fit of this item are extra comfy
Tear-away tag
Easily removable tear-away tag that allows you to add a custom inside label
This Unisex Premium Sweatshirt has a classic crew neck, flattering unisex fit, and soft 100% cotton exterior.
- 100% cotton face
- 65% cotton, 35% polyester
- Charcoal Heather is 55% cotton, 45% polyester
- Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
- Tightly knit 3-end fleece
- Side-seamed construction
- Self-fabric patch on the back
- Double-needle stitched rib collar, cuffs, and hem
- Tear-away label
Henri Manguin (1874-1949)
Henri Charles Manguin was a French painter, associated with the Fauves.
Manguin entered the École des Beaux-Arts to study under Gustave Moreau, as did Henri Matisse and Charles Camoin with whom he became close friends. Like them, Manguin made copies of Renaissance art in the Louvre.
Manguin was greatly influenced by Impressionism, as is seen in his use of bright pastel hues.
He married in 1899 and made numerous portraits of his wife, Jeanne, and their family. In 1902, Manguin had his first exhibition at the Salon des Indépendants and Salon d’Automne. Many of his paintings were of Mediterranean landscapes; and would soon represent the height of his career as a Fauve artist.
From 24 March to 30 April, the burgeoning of Fauvism was visible at the Indépendants, prior to the infamous Salon d’Automne exhibition of 1905 which historically marks the birth of the term Fauvism, after critic Louis Vauxcelles described their show of work with the phrase “Donatello chez les fauves” (“Donatello among the wild beasts”), contrasting the paintings with a Renaissance-style sculpture that shared the room with them.
At the 1905 Indépendants Manguin exhibited with Henri Matisse, Albert Marquet, Jean Puy, Othon Friesz, Raoul Dufy, Kees van Dongen, André Derain, Maurice de Vlaminck, Charles Camoin and Jean Metzinger. This exhibition was reviewed by Vauxcelles in Gil Blas on 4, 18 and 23 March 1905.
Matisse was in charge of the hanging committee, assisted by Manguin, Metzinger, Bonnard, Camoin, Laprade Luce, Marquet, Puy and Vallotton.
In 1920, Manguin exhibited at the Gallery Marcel Bernheim together with Ottmann, Tirman, Alexandre-Paul Canu and others. He traveled extensively with Albert Marquet throughout Southern Europe. In 1949, Manguin left Paris to settle in Saint-Tropez, where he died soon after, on 25 September 1949.
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