A Man and His Shadow Hoodie

From $37.67

A Man and His Shadow by Edmund Franklin Ward printed on a Hoodie

Description

A Man and His Shadow by Edmund Franklin Ward printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Edmund Franklin Ward (1892-1991)

Edmund Franklin Ward was an American illustrator who illustrated for the Saturday Evening Post and did his first illustrations for the magazine before turning age 20. He had a successful career as an illustrator of works that ranged in style and subject matter from dark tonalist in oils to humorous in wash and watercolor. For many years he illustrated the Alexander Botts and Assistant District Attorney Doowinkle stories for the Saturday Evening Post.

Ward studied at the Art Students League in the same class with Norman Rockwell. The two students became friends, and shared a studio in the attic of a Manhattan brownstone. Among his teachers were Edward Dufner, George Bridgman and Thomas Fogarty. He later moved to the Manhattan suburb of New Rochelle, a well known artist colony and home to many of the top commercial illustrators of the day including friend Norman Rockwell. At the time more than fifty percent of the illustrations in the country’s leading publications were done by artists from New Rochelle. He spent his professional career in White Plains, where he painted a mural for the Federal Building. He was a longtime member of the Salmagundi Club, the Guild of Free Lance Artists, and was a member of the Society of Illustrators.

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