Rabbits on a Log Hoodie

From $37.67

Rabbits on a Log by Arthur Fitzwilliam Tait printed on a Hoodie

Description

Rabbits on a Log by Arthur Fitzwilliam Tait printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Arthur Fitzwilliam Tait (1819-1905)

Arthur Fitzwilliam Tait was a British-American artist who is known mostly for his paintings of wildlife. During most of his career, he was associated with the New York City art scene.

Tait was born in Livesey Hall near Liverpool, England. At eight years old, because his father went bankrupt he was sent to live with relatives in Lancaster. It is during that time that he became attached to animals. Later on, in Manchester, England, Agnew & Zanetti Repository of Art acquired Arthur Tait who began self-learning to paint, as a twelve-year-old boy. His work consisted mostly of reproduced lithography that were exposed for Agnew’s exhibitions. In 1838, he left the Agnew lithography reproduction business to marry.
During the period 1845-1848 he produced a number of lithographs of railway subjects with a particular focus on landscapes showing Lancashire and Yorkshire lines.
During the late 1840s he became aware of the Americas while attending a George Catlin exhibition in Paris. He immigrated to the United States in 1850, where he established a small painting camp in the Adirondacks to paint during summer. Starting in 1852, Currier & Ives reproduced lithographies of his works to publicize him. What also promoted his talent was exhibitions held at the National Academy of Design, New York during the late 19th century showing more than 200 paintings of his. In 1858 he was elected to full membership of the Academy.

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