Description

Rabbits on a Log by Arthur Fitzwilliam Tait printed on a T-Shirt

About the T-Shirt

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

• Solid colors are 100% Airlume combed and ring-spun cotton
• Ash color is 99% combed and ring-spun cotton, 1% polyester
• Heather colors are 52% combed and ring-spun cotton, 48% polyester
• Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
• Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
• Fabric weight: 4.2 oz./yd.² (142 g/m²)
• Pre-shrunk fabric
• 30 singles
• Side-seamed construction
• Tear-away label
• Shoulder-to-shoulder taping
• Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Arthur Fitzwilliam Tait (1819-1905)

Arthur Fitzwilliam Tait was a British-American artist who is known mostly for his paintings of wildlife. During most of his career, he was associated with the New York City art scene.

Tait was born in Livesey Hall near Liverpool, England. At eight years old, because his father went bankrupt he was sent to live with relatives in Lancaster. It is during that time that he became attached to animals. Later on, in Manchester, England, Agnew & Zanetti Repository of Art acquired Arthur Tait who began self-learning to paint, as a twelve-year-old boy. His work consisted mostly of reproduced lithography that were exposed for Agnew’s exhibitions. In 1838, he left the Agnew lithography reproduction business to marry.
During the period 1845-1848 he produced a number of lithographs of railway subjects with a particular focus on landscapes showing Lancashire and Yorkshire lines.
During the late 1840s he became aware of the Americas while attending a George Catlin exhibition in Paris. He immigrated to the United States in 1850, where he established a small painting camp in the Adirondacks to paint during summer. Starting in 1852, Currier & Ives reproduced lithographies of his works to publicize him. What also promoted his talent was exhibitions held at the National Academy of Design, New York during the late 19th century showing more than 200 paintings of his. In 1858 he was elected to full membership of the Academy.