Alte Dächer – Freihaus T-Shirt

From $17.02

Alte Dächer – Freihaus by Broncia Koller-Pinell printed on a T-Shirt

Description

Alte Dächer – Freihaus by Broncia Koller-Pinell printed on a T-Shirt

About the T-Shirt

Regular fit

Standard length, the fabric easily gives into movement

Casual wear

A classic, everyday option loved by our customers

Side-seamed

Constructed by sewing two parts together, creating a fitted look

The Unisex Staple T-Shirt feels soft and light with just the right amount of stretch. It’s comfortable and flattering for all. We can’t compliment this shirt enough–it’s one of our crowd favorites, and it’s sure to be your next favorite too! 

  • Solid colors are 100% Airlume combed and ring-spun cotton
  • Ash color is 99% combed and ring-spun cotton, 1% polyester
  • Heather colors are 52% combed and ring-spun cotton, 48% polyester
  • Athletic and Black Heather are 90% combed and ring-spun cotton, 10% polyester
  • Heather Prism colors are 99% combed and ring-spun cotton, 1% polyester
  • Fabric weight: 4.2 oz./yd.² (142 g/m²)
  • Pre-shrunk fabric
  • 30 singles
  • Side-seamed construction
  • Tear-away label
  • Shoulder-to-shoulder taping
  • Blank product sourced from Nicaragua, Mexico, Honduras, or the US

Broncia Koller-Pinell (1863-1934)

Broncia Koller-Pinell was an Austrian Expressionist painter who specialized in portraits and still-lifes.

She was born as Bronisława Pineles to a Jewish family in what is now Poland. Her father, Saul Pineles [pl], was a designer of military fortifications. In 1870, they moved to Vienna to start a manufacturing business (where they changed the family name to “Pinell”) and she took private art lessons with Alois Delug. In 1885, she had her first public exhibition. For the next five years, she studied in Munich at the “Damenakademie” of the Munich Artists’ Association in the studios of Ludwig von Herterich. This was followed by exhibitions at the Vienna Künstlerhaus, in Munich and in Leipzig. Koller-Pinell exhibited her work at The Woman’s Building at the 1893 World’s Columbian Exposition in Chicago, Illinois.

In 1896, against her family’s wishes, she married the physicist and industrialist, Dr. Hugo Koller [de], who was a Catholic. Their children were raised as Christians, but she never converted. At first, they lived in Salzburg and Nuremberg, but returned to Vienna in 1902. Shortly after, she was accepted as a member of the Vienna Secession. In 1904, she inherited a house in Oberwaltersdorf. The family soon moved there, and she had it decorated by Josef Hoffmann and Koloman Moser, associates from the Secession. Shortly after, she set up a salon that was frequented by Egon Schiele, Anton Faistauer and Albert Paris Gütersloh, among others.

Her son, Rupert (1896–1976), became a conductor and was briefly married to Anna Mahler. Her daughter Silvia (1898–1963) was also a painter.

Her work was included in the 2019 exhibition City Of Women: Female artists in Vienna from 1900 to 1938 at the Österreichische Galerie Belvedere.

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