Two merry mariners Pl.03 Hoodie

From $37.67

Two merry mariners Pl.03 by Stewart Orr printed on a Hoodie

Description

Two merry mariners Pl.03 by Stewart Orr printed on a Hoodie

About the Hoodie

Modern fit

It provides a more tailored look than a regular fit

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

Premium quality

The product is made from premium, high-quality materials

Classic unisex hoodie with a front pouch pocket and matching flat drawstrings. The 100% cotton exterior makes this hoodie soft to the touch.

  • 65% ring-spun cotton, 35% polyester 
  • Charcoal Heather is 60% ring-spun cotton, 40% polyester
  • Carbon Grey is 55% ring-spun cotton, 45% polyester
  • 100% cotton face
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Front pouch pocket
  • Self-fabric patch on the back
  • Matching flat drawstrings
  • 3-panel hood
  • Tear-away tag

Stewart Orr (1872 – 1944)

William Stewart Orr was a Scottish watercolour artist and book illustrator.

Born in Glasgow, the son of William Orr, a merchant there, the young Orr was educated at the Glasgow School of Art.

In 1907, The Studio reviewed his work and commented “Stewart Orr, one of the younger men, is an artist with that rare quality, a sense of humour. This characteristic will be applicable in the role of book illustrator, in which the artist is actively engaged at the present time.”

Orr married Mary Stuart Douglas and was elected a member of the Royal Watercolour Society in 1925. In 1927, Who’s Who in Art described him as “water-colourist (chiefly), book illustrator occasionally”.

As an illustrator of children’s books, Orr has been compared with his contemporary Harry B. Neilson. In a book on Arthur Rackham, Fred Gettings says “Along with Neilson, we may list Stewart Orr and Harry Rowntree… Neilson, and indeed a whole host of Victorian draughtsmen who told animal moralities and fairy stories, portray their animals in clothing… However, the important point is that, for all their human clothing, for all that they speak where necessary with human tongues, and point their morals with something verging on human gesture, these creatures always look like animals.”

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