Fallow Deer Sweatshirt

From $33.30

Fallow Deer by Newton Limbird Smith Fielding printed on a Sweatshirt

Description

Fallow Deer by Newton Limbird Smith Fielding printed on a Sweatshirt

About the Sweatshirt

Regular fit

Standard length, the fabric easily gives into movement

Comfortable

The fabric and fit of this item are extra comfy

Tear-away tag

Easily removable tear-away tag that allows you to add a custom inside label

This Unisex Premium Sweatshirt has a classic crew neck, flattering unisex fit, and soft 100% cotton exterior.

  • 100% cotton face
  • 65% cotton, 35% polyester
  • Charcoal Heather is 55% cotton, 45% polyester
  • Fabric weight: 8.5 oz./yd.² (288.2 g/m²)
  • Tightly knit 3-end fleece 
  • Side-seamed construction
  • Self-fabric patch on the back
  • Double-needle stitched rib collar, cuffs, and hem
  • Tear-away label

Newton Limbird Smith Fielding (1799–1856)

Newton Smith Fielding, was an English painter and lithographer.

Fielding was born in London in 1799, the youngest son of Nathan Theodore Fielding. He exhibited at the Society of Painters in Water-colours, showing some landscapes in 1815, and cattle pieces in 1818. He is best known for his paintings and engravings of animals. Besides painting in water-colours, he also made etchings, aquatints, and lithographs, becoming especially proficient in the last of these. He moved to Paris where he lived until his death, on 12 January 1856; he was much esteemed there, entering the 1827 Paris Salon and teaching the family of Louis-Philippe. In 1836 he published in London a set of Subjects after Nature, and in Paris he published sets of lithographs of animals, and illustrations to various works.

He also published Three Hundred Lessons; or, a Year’s Instruction in Landscape Drawing, including Marine Subjects, with Hints on Perspective, (1852); Lessons on Fortification, with Plates, (1853); A Dictionary of Colour, containing Seven Hundred and Fifty Tints, to which is prefixed a Grammar of Colour, (1854); What to Sketch with; or, Hints on the Use of Coloured Crayons, Water-colours, Oil-colours, Black and White Chalks, Black-lead Pencil, and the Author’s new Method of Preserving the Lights with Composition, (1856); and How to Sketch from Nature; or, Perspective and its Application, (2nd edit. 1856).

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